Showing posts with label Medical Thriller. Show all posts
Showing posts with label Medical Thriller. Show all posts

Wednesday, September 18, 2013

Adding Props to your Story to Convey Mood

I was working on a post for another site and our theme for the week was 'moon'. I did a quick search and found an excerpt where the moonlight played a role in conveying the scene. As an author, I didn't realize how much I've added props to my scenes to convey a certain mood. Moonlight can portray a specific emotion to the reader, be it loneliness, terror or romance. Add the night and a dark house, and I hope I conveyed the mood in the following excerpt from Shrouded in Darkness.

Moonlight pierced through the one window across from the desk, illuminating the tables, equipment and enough of the laboratory floor for him to cross the room without banging a foot or shin. At the window, he rested a hand against its edge as he peered outside. The night greeted him, the only time he felt comfortable since the explosion. He welcomed the shadows, which clung to the pines and rolling snow, camouflaging the mice, owls, and other small creatures he knew were out there.
A storm was due in tonight, but he didn’t see any signs. Stars winked from above, and a stillness, a hushed sense of expectation washed over the night, or it could be his own imagination, his own hopes that he might find the key to unlocking the formula.  
He glanced up at Margot’s house. It sat on the hill, darker, thicker than the other shadows. Even though the sun had long since dipped behind the barren trees, the windows were absent of light. She was up there, though. Somewhere.
But what was she doing? Working? Drinking? Or staring off into some nameless space. He’d caught her doing that a number of times, thinking of God knew what as the house darkened around her. Was she remembering what had happened between them last night? She must have felt the same passion, the same hunger that still burned through his body. God, she’d been so soft and supple in his arms. The scent of her had driven him insane.
He’d been on her like a rutting dog and so damned close to going up those stairs after her. And he still wanted to, wanted to walk out of here and up the snow covered hill to her house. He wanted her hot, whimpering for him.
He placed his brow against the glass. The chilled pane soothed his burning skin. From past experience, he knew he had a temperature. Even though mild, dangerous nonetheless.
Disgusted with his lack of self-control, he pushed away from the window. He had no time for sex. If he wanted to live long enough to have a good time in bed, he needed to get back to the computer and work. The answer had to be somewhere. He knew John had safeguarded a copy of the formula for him, but the question was where. It wasn’t anywhere on John’s computer or in the lab. Jake had made a thorough sweep, while he’d also searched every room in Margot’s house. As for the idea of it being destroyed in the car crash with John—Jake didn’t even want to think about it.
Sinking down in his chair, he focused on the numbers and equations in front of him. Concentration and determination were critical to unraveling Miracell. He’d get his answer or die trying. He laughed bitterly. That last thought came too damn close to the truth.
As he reached for another breath mint, a frigid breeze brushed against his skin. He stilled, his hand suspended in mid-air. The heater was on. He’d made sure, keeping the room regulated for the experiments he had to conduct. Shivering, he pushed away from the desk with a foot. The chair rolled and swiveled over the hard, linoleum floor as he turned.
A man in a bulky, down jacket stood in front of the laboratory’s closed door. Malcolm. He’d slipped inside without Jake realizing.
“Hello, Jake.”
The air locked in Jake’s lungs for one, two...three seconds. Then he expelled it into one harsh sigh. He sat unmoving, as frozen and brittle as the trees outside.

Malcolm stepped further into the lab, and a beam of moonlight glittered off a gun. “Shocked? You shouldn’t be. You knew I’d catch up to you.” 
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Friday, December 17, 2010

Interview with CJ Lyons

I’d like to welcome our guest today, CJ Lyons. It’s a pleasure having you come visit us again at Much Cheaper Than Therapy, where chocolate is plentiful and advice is free. So grab some chocolate and a lounge chair. Your therapy session has begun.


I understand you have a new release out called CRITICAL CONDITION. Can you tell us a little bit about your fabulous new book?

CRITICAL CONDITION is the finale of the Angels of Mercy series, so it wraps up all four characters' storylines in a whiz-bang of a thriller ride...think Die Hard in a hospital.

The action takes place in real time, everything happens in less than five hours, which made it so tightly plotted (with four main characters and stories to tell) that I literally wrote the book backwards, starting with who was left alive at the end.

Followers of the series will be amply rewarded but newcomers should also enjoy the thrills and twists...can you tell, I had a great time writing this one?

What made you decide to write in this genre?


All of my books fall squarely in the thriller/suspense genre, with one exception, my second, WARNING SIGNS, which just won the Daphne Du Maurier Award for Excellence in Mystery. My editor, whose specialty is mysteries (and who is much, much more logical and more patient about plot-points, red herrings, etc than I am!) asked me to re-work it as a mystery to give readers a change of pace since LIFELINES was such a fast-paced thriller and the third in the series, URGENT CARE, was such a dark, intense suspense.

Writing a mystery was much harder for me than the thriller/suspense novels--I had to pay so much more attention to the plot rather than simply letting the characters drive everything.

My new series, co-written with Erin Brockovich, also has a touch of mystery in it, but it's really more of a women's fiction/thriller--hmmm....is that even a genre? Now you can see why I invented the label "Thriller with Heart," I love focusing on the characters rather than plot.

Where did you get your idea for this particular book?


After the psychological intensity of URGENT CARE, the third book in the series, I knew I needed a finale that would not only answer all the questions but also let the reader vicariously experience the final growth of the characters. So I decided to write CRITICAL CONDITION in real-time, having the events unfold the same time the reader is reading about them. That meant finding a way to keep the action encapsulated, so what better than a hospital cut off from the outside world by a blizzard?

Funny thing was (well, maybe not so funny, depending on your point of view, lol!) is that the week after I turned in the manuscript, Pittsburgh actually did have a blizzard. And a lot of the events of my story, like the hospital losing power, ambulances and emergency vehicles being unable to respond, patients and staff huddling together in the hospital auditorium--all that really happened!

Do you have all the key suspense/mystery elements thought out before you begin writing?


Gosh, no! I'm a seat of the pants writer. In fact, all I knew when I started with CRITICAL CONDITION was who was alive at the end, so I wrote it scene by scene backwards, every scene asking myself how they got there. It was different than any book I've written before--and quite fun!

Did you have to do a lot of research for the book? What are your favorite research books or sites?


Since I was a pediatric ER doc for seventeen years, the only research I did involved fun facts about Galapagos penguins and clever ways to kill people inside a hospital...not sure I want to divulge my sources on that last subject, lol!

Which character did you like writing about the most, and why?


Lydia is always fun to write because she's just so black and white--she's all about doing, not a whole lot of angst or thinking. But Gina's character is the one I'm most proud of, she's come so very far over the course of the series. I think readers will be excited to see her finally earn her happy-ever-after.

Tell us about how you develop your characters. Do you create character sheets, do interviews, that sort of thing? How does your research affect your character development?


None of that. I start with character, try to understand why they do what they do, then just let them take off running....I usually don't do a lot of research until after the first draft, that way the real world doesn't impact my fictional one more than it absolutely must.

Do you have any authors that inspired you?


Too many to count! But one of my favorites who I still turn to and have read since I was a kid is Ray Bradbury. A true poet!

What do we have to look forward next?


CRITICAL CONDITION came out November 30th, followed by the first in my new series co-written with Erin Brockovich, ROCK BOTTOM, due out March 1, 2011. I'm hard at work on the second in that series.

I've also released electronic versions of several works that I've gotten my rights back to, available on Kindle, Sony, and Nook. The latest of these is another women's fiction/thriller blend called BLIND FAITH.

My writing students have asked me to arrange my lectures into books, so I'm also working on those as well....in my spare time, lol!

Anyone who wants info on my books, feel free to check out my website at http://www.cjlyons.net

Thanks, CJ!

To celebrate her book release, CJ is offering a free copy of the first three books in the Angels of Mercy series (LIFELINES, WARNING SIGNS, and URGENT CARE) to one lucky commenter on today's blog. (please check the blog Monday night to see if you won. Chances of winning determined by the number of entries.)

She will be around all day today. I'm sure some of you have questions or comments for her, so please ask away...

Bio.
As a pediatric ER doctor, CJ Lyons has lived the life she writes about in her cutting edge suspense novels. She has assisted police and prosecutors with cases involving child abuse, rape, homicide and Munchausen by Proxy and has worked in numerous trauma centers, as a crisis counselor, victim advocate, as well as a flight physician for Life Flight. CJ credits her patients and their families for teaching her the art of medicine and giving her the courage to pursue her dream of becoming a novelist.

Her first novel, LIFELINES (Berkley, March 2008), received praise as a "breathtakingly fast-paced medical thriller" from Publishers Weekly, was reviewed favorably by the Baltimore Sun and Newsday, named a Top Pick by Romantic Times Book Review Magazine, and became a National Bestseller. LIFELINES also won a Readers' Choice Award for Best First Novel.

Her award-winning, critically acclaimed Angels of Mercy series (LIFELINES, WARNING SIGNS, URGENT CARE, and CRITICAL CONDITION) is available now. Her newest project as co-author of a new suspense series with Erin Brockovich, starts with the release of ROCK BOTTOM in March, 2011. To learn more about CJ and her work, go to www.cjlyons.net.