The Hero's Journey, For Heroines
by Laurie Schnebly Campbell
October 1-26, 2012
$30 at http://www.writeruniv.com/
What
happens when a character's journey is more about relationships, with
others and with herself, than about daredevil action? Joseph Campbell
and Christopher Vogler have identified 12 popular steps for a hero who
explores the outside world and returns with the elixir. But what about a
character whose journey leads to flowering change instead of physical
adventure? Her challenges, as described in Kim Hudson's 13 steps, will
sometimes contradict, sometimes parallel and sometimes compliment the
traditional hero's journey...and for writers whose heroine faces her own
less-traveled road to discovery, this class offers a fascinating map.
* Establishing the world of dependence
* Moving from
dormancy to risk
* Sampling an unrealized dream in secret
* Balancing the old world with the new
* Embracing change, which results in chaos
* Facing self-doubt and the ultimate choice
* Bringing new light to a different world
Laurie
Schnebly Campbell always wondered what was wrong with her, not really
GETTING the Hero's Journey, until she discovered its feminine
counterpart. Then she got excited -- not only by the premise, but also
by the chance to create a brand new class for WriterU. She can't wait to
see who else shares her enthusiasm for characters making discoveries
within themselves, as well as within the world...no matter what their
gender.
~ ~ ~
Commit the Perfect Crime
by Stephen D. Rogers
October 1-26, 2012
$30 at http://www.writeruniv.com/
Killing
people ain't hard. It's the getting away with it that's murder. Whether
your
protagonist is the criminal who commits the crime or the
sleuth/detective who seeks justice, you need to mastermind a plan that
will convince readers to come along for the ride. You need to create a
sense that nothing can go wrong, and then -- logically -- make it all
come apart. Crime may not pay, but writing about it does. In this class
you'll learn how to:
* Motivate the various characters to make their actions seem inevitable
* Cripple the first leg of the investigative tripod: motive
* Cripple the second leg of the investigative tripod: means
* Cripple the third leg of the investigative tripod: opportunity
* Plant the clue or trait that causes things to unravel
* Draw out the suspense until the axe falls
Derringer
winner Stephen D. Rogers is a member of Mystery Writers of America,
Private Eye Writers of America, and the Short Mystery Fiction Society.
He judged the Daphne du Maurier (published category) for the Romance
Writers of America, Mystery/Suspense Chapter, for four years and has
written columns and articles for Dabbling Mum, Writer's Digest, and
Writing World. Over five hundred of his stories and poems have appeared
in more than two hundred publications.
Showing posts with label Hero's Journey. Show all posts
Showing posts with label Hero's Journey. Show all posts
Wednesday, September 26, 2012
Sunday, September 16, 2012
Plotting Using The Hero's Journey
Looking for that happy ending? Try plotting your story using the Hero's Journey. Our own Caris Roane swears it helped her.
I found three videos on YouTube I found helpful in explaining this pattern of narrative identified by Joseph Campbell.
The Hero's Journey, explained with examples from The Matrix, Star Wars, Harry Potter, and the Lord of the Rings - 10 steps
In 5 steps with examples from The Wizard of Oz, Harry Potter, and Star Wars
The Journey shown with examples of Disney movies.
Labels:
For Writers,
Hero's Journey,
Plotting
Thursday, April 15, 2010
Bootcamp for Novelists-April/May Classes
Connie's Courses
APRIL 4/25 TO 5/22
8B DEVELOPING STORY IDEAS
You've got a cool idea for a setting, but have no idea who to put in it. A swaggering, broad-shouldered, chivalrous hero keeps walking through your head and you can't come up with an idea good enough for him. A publishing house puts out a call for a particular kind of story and nothing comes to mind. Anything like this ever happen to you? This course is about pulling in threads that build on and expand that small seed of an idea until it becomes something that will live on paper.
FEE: $25
ENROLL NOW! http://bootcampfornovelists.com/current-courses.html
2B PLOT DEVELOPMENT
Some people believe that stories come from a magical realm and simply float down to
some lucky writers. But could it be possible that given a character with a goal
who faces conflict that you can give them situations that make your story sing? This
course shows you how. You'll learn to use a story question to test your premise and guide your book. You'll learn how to break your story into four boxes and what plot points to put in those boxes. Effective plotting guarantees a page turner and that's the aim of this course.
FEE: $25
ENROLL NOW! http://bootcampfornovelists.com/current-courses.html
APRIL 4/25 TO 5/22
8B DEVELOPING STORY IDEAS
You've got a cool idea for a setting, but have no idea who to put in it. A swaggering, broad-shouldered, chivalrous hero keeps walking through your head and you can't come up with an idea good enough for him. A publishing house puts out a call for a particular kind of story and nothing comes to mind. Anything like this ever happen to you? This course is about pulling in threads that build on and expand that small seed of an idea until it becomes something that will live on paper.
FEE: $25
ENROLL NOW! http://bootcampfornovelists.com/current-courses.html
2B PLOT DEVELOPMENT
Some people believe that stories come from a magical realm and simply float down to
some lucky writers. But could it be possible that given a character with a goal
who faces conflict that you can give them situations that make your story sing? This
course shows you how. You'll learn to use a story question to test your premise and guide your book. You'll learn how to break your story into four boxes and what plot points to put in those boxes. Effective plotting guarantees a page turner and that's the aim of this course.
FEE: $25
ENROLL NOW! http://bootcampfornovelists.com/current-courses.html
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