Showing posts with label Connie Flynn. Show all posts
Showing posts with label Connie Flynn. Show all posts

Tuesday, January 7, 2014

Eleven Steps to Getting Published.

So You Want to be a Pro . . . ?
by Connie Flynn

Not in the world’s oldest profession way, of course, but as in professional writer . . . one who produces books regularly and, gasp, even gets paid for them.  The question always is, how do you get from rank beginner to a place where others pay you for your work?

It’s a simple path, but seldom an easy or one-step-follows-the-other process, and those who succeed almost always use these not-so-easy steps.

1.    Read, read, read.  Everything. Novels you love, novels you hate. Nonfiction in subject you love and those that bore you to death.  Newspapers, magazines, blogs.  Learn to recognize good writing and bad writing.

2.    By the time you get serious, choose a genre.  There are dozens. Way too many to cover here, but you need to know about them and if this is a foggy topic to you, start here. Everything seems to be well covered except for the romance genre, which is totally missing, so I found it elsewhere.


3.    Make sure the genre you choose to write is something you love reading or you’ll eventually hate your books. But if publication is your ultimate goal – and since you’re reading this blog, I suspect it is – it’s a good practice to write what is currently selling.

4.    When you’re educated about the marketplace, start getting familiar with the internal structure of a novel.  Just because you read them and have neat descriptions about theme and character building doesn’t mean you yet have the tools to do this yourself.

5.    Learn how to write a synopsis.  Boy oh boy, do writers hate those, but unless you self-publish – where, let’s face it, the publisher can read your mind – you’ll need to tell influential people about your book, clearly and with an entertaining voice.

6.    More and more writers are bypassing traditional publishers and putting their work out there as an independent publisher. This is, however, no license to ignore these steps because your first audience is your reader, the same one that traditional publishers are also aiming for, and they will judge you much more harshly if you slip up than they do the commercial publishers.

7.    Write your book.  Set a disciplined schedule.  If possible, do something on your book every day.

8    Finish your book.  Unless you have unusually good connections, your chances of selling an unfinished novel are nil.  So finish the baby.

9.    Revise your book, proofread it, then proofread it again.  The competition is so stiff these days you can’t afford to send out a sloppy manuscript.

10.    Don't let rejections or bad reviews get you down for long because some are harsh enough to send you into a  fetal position. Don’t indulge this urge more than a few days.  Submit again and keep submitting. If you're publishing independently, be careful not to dismiss the reviews. These are coming directly from your audience and you should study and learn from them. Just keep in an intellectual process, don't let them pierce your heart.

11.    There used to be six secret rules published authors never violate:  Write, write, write.  Submit, submit, submit.  Now there are nine: If you are an independent author, you must: publish, publish, publish. Do this repeatedly and well and you will succeed. And remember, you haven’t failed until you quit.



She woke up one morning on a Mississippi riverboat casino with a huge headache and no clue to who she was. With the help of new friends she rebuilt her life. Now, nearly two years later, a tall dark man with killer good looks comes after her. A bounty hunter, who claims she killed her father then ran out on her bail. She says he's got the wrong woman. He says she's guilty as sin. One of them is right . . .

Suddenly so many people are after her, she can't tell the good guys from the bad guys. But one thing she can do is KNOW WHEN TO RUN.


Award-winning, bestselling author Connie Flynn writes both long and short fiction and is published in multiple genres, including paranormal romance, romantic comedy, mystery and suspense, and contemporary fantasy/sci-fi. She lives in Arizona on a lush green park where she walks her dog and escapes from the hot desert sun. Her latest release is the-twists-and-turns romantic suspense, KNOW WHEN TO RUN.

Wednesday, December 18, 2013

A Terrific Conference Coming Up

Time Out For Writers ANWA's 22nd Conference will be held at the Mesa Hilton from February 20 through February 22. Attendees can participate in a query/pitch workshop, attend two full days of classes with industry professionals, enter our "BOB" contest (Beginning of Book) and win fabulous prizes, and pitch their work to both national and local agents and editors. 
Jon Samuel Lewis   
Traditional Publishing, Self-Publishing or Both?
  One major retail chain shuttered over 900 stores. Another announced an average of 20 closures per year for the next decade. And while total trade sales dipped 5% in Q1 of 2013, overall digital sales were up 3% to capture 27% of all trade sales. Add to that renegade authors like J.A. Konrath, Hugh Howey, Amanda Hocking and others selling hundreds of thousands of copies without going through a publisher and you have a recipe for hyper change. Self-published authors no longer need to wear a scarlet letter but major publishers are here to stay as well. So how do you pick between traditional publishing, self-publishing? Or does it need to be an either/or? The truth might surprise you.

Book Marketing 101
With shrinking revenue, the publishing industry can't afford to promote all authors the same way. In fact, there are rumors that traditional publishers are looking to sign authors with large social media fan bases because those fans represent potential buyers. That means it doesn't matter if you publish traditionally or if you self-publish, the success of your marketing campaign falls squarely on your shoulders. Should you hire a PR agency? Line up your own book tour? What about Facebook, Twitter and other social platforms? This session will show you how to outperform your competition no matter their budget, and all for a fraction of the cost. 



Jon Samuel Lewis is an American writer best known for the acclaimed Grey Griffins series published by Scholastic's Orchard Books. After selling nearly a million copies in the original trilogy, Lewis and his writing partner, Derek Benz teamed with Little Brown to publish the Grey Griffins Clockwork Chronicles. He is also the author of CHAOS Novels, a young adult urban science fiction series published by Thomas Nelson and has written for DC Comics. Lewis is also a marketing executive and content strategist who works with Fortune 500 companies on their digital marketing strategies.
Arizona Educator Licensing

"Time Out for Writers" offers Professional Development hours for Arizona Educator Licensing. Receive up to 17 Professional Developmental hours that can be applied toward the renewal of your Arizona Educator's License!

Thursday, Friday and Saturday
February 20-22, 2014
Hilton Phoenix/East Mesa
1011 West Holmes Avenue
Mesa,  Arizona   85210-4923 

Tuesday, November 5, 2013

Writing for the Money and Loving It



Click Here to Buy
Kelly Clarkson, the first American Idol winner, did an interview where she was quoted (paraphrased) as saying, "When my agent asked what I wanted, I replied I want to become so well off I never have to make a career decision because I need the money." And she got her wish.

So sad, few professional authors ever reach that level and I certainly hadn't gone beyond needing the money when my agent told me my editor suggested I set my next paranormal in Scotland. I'm not too crazy about using settings or plot devices that are currently hot. There are a number of reasons why that I'm not going to talk of in this blog because, more troubling, the suggestion contained a hint that perhaps the story could be straight romance, no paranormal at all.

Well . . . readers either praise me for it or complain, but they all seem to know I'm not real great at writing straight, tender romance. I adore a good love story quite as much as anyone else, but I not quite as good at writing them. What I think I am good at is crafting stories where the love is so pressured, the characters so endangered, that emotions rise to unbearable heights, forcing the attraction to go beyond everyday conversations and conventions.
 
My biggest fear as a writer is that I'll create a boring book, which is a true risk if I'm pushed to write a story that I consider boring. Which is why I couldn't help myself, I just had to throw in a paranormal element.

A time bubble, which sent me out to research Einstein in the children's books section I always visit first when I'm researching something I'm a dummy in. The great man's take on time truly is radical – he calls it the fabric of time – and numbers of readers didn't understand my best stab at explaining it. But you don't need to understand the mechanics of time to understand the disturbance that this handful of thugs brought to the Scottish paradise when they crossed through the fragile gate. Not that these hardy people weren't up to the battle. Let's face it they could squash these twenty-first century fops like bugs. But the ruler of the paradise had said no fair killing outsiders, meaning I had to create a bigger conflict

Just Love Those Dragons
Which brought me to dragons, and Ormeskirk, the scourge that was destroying the peaceful life in this floating kingdom. But was that truly what he was?

This book turned out to be so much fun to write, proving that "needing the money" maybe isn't such a bad thing after all. THE DRAGON HOUR not only had me researching stuff I'd always been interested in, it stayed on the Amazon, Barnes & Noble, and Borders Books bestseller lists for nearly two years, plus going out to win me the PRISM award from the FF&P chapter of Romance Writers of America.

That was quite a surprise. I'd been up for the PRISM before, but lost out to my good friend, Christina Skye. I was so sure I wouldn't win I didn't even write an acceptance speech, something my friends really balled me out about. But that didn't mean winning wasn't just thrilling, it was astounding. How, I wondered, could a book that threatened to be so flat end up as an award winner? And I know I'm not the only author that has happened to.
 
Which puts me in mind of Christina Dodd, whose book cover for CASTLES IN THE AIR came complete with a three-armed woman. That's not a typo, this historical heroine did indeed have three arms. Fortunately, none in naughty places, but very visibly present. So what did Christina do? She kept her wits about her. Rather than complaining and crying "Why me?" Christina went to her email loops and sent readers straight out to see this unusual and startling mistake. The book became a bestseller.

How about you? Have you had a surprising success? Or maybe it didn't happen to you directly, but you know someone else who had that experience.  If so, let me know by dropping a line in the comments section or sending me an email. If I get enough of them, I'll do a dedicated blog about these unique situations and surprisingly delightful outcomes.

In the meantime, I retain my fondness for Ormeskirk. Without him, there would have been no story at all except for a micro-war between a handful of thugs and a village full of Scots. Ho-hum.

Until later,
–Connie

Website: http://connieflynn.com 
Twitter: https://twitter.com/ConnieFlynn
Email: connieflynn@yahoo.com
Subscribe to Newsletter: http://eepurl.com/qOHbT

Friday, October 11, 2013

SPOTLIGHTING: Supernatural Thriller Writer Scott Nicholson

by Connie Flynn
Visit Scott's Blog
I’ve written about 20 novels, but McFALL is my first attempt at serialized fiction. McFALL is a supernatural thriller that features a return to my characters from The Red Church, a Stoker Award finalist, and Drummer Boy, set in the rural Southern Applachian Mountains.

I wrote the book for Amazon’s 47North imprint, and we are publishing it in six episodes.

Each episode has 15,000 to 16,000 words, or what would be about 60 pages in a printed book. I designed each episode so that it did all the usual work of a novel—build character and setting, further the plot, allow room for theme to develop—while also leaving a mild cliffhanger to build anticipation for the next episode.
   
The most exciting challenge was the high wire act we were attempting, since the first episode was published while we were still working on the later episodes. Each episode was edited and proofread individually, so we had to be careful to make sure there were no plot holes that we couldn’t cover in later episodes. I am not an outliner by nature, so I wasn’t really worried about painting myself into a corner.

I tried to develop a rhythm with each episode, much in the way a television miniseries will have each episode add to the whole story arc while being entertaining on its own. Amazon also helps make the serial easy for readers to follow by automatically sending a new episode to the reader’s Kindle every two weeks. Readers can jump in at any time and get all the episodes that have been released, and it’s the same price no matter when you buy it. The full book will be compiled and released in print and audio later this year.

The serial project was a great opportunity for me to grow as a writer and try something new while sticking close to my supernatural roots, and I hope we can continue the storyline in a future book.

Click Here to Order

This book is a Kindle Serial. Kindle Serials are stories published in episodes, with future episodes delivered at no additional cost. This serial currently contains three episodes out of an estimated six total episodes, and new episodes will be delivered every two weeks.

"If Evil had fortified secret strongholds across the globe, the red church was certainly one of them."
Award-winning author Scott Nicholson returns to the Blue Ridge Mountain legends and setting of his bestselling thrillers, The Red Church and Drummer Boy.
When wealthy developer Larkin McFall moves to the small Appalachian Mountain community of Barkersville, generations-old tales of supernatural phenomena, sudden deaths, and odd disappearances resurface. Larkin laughs off the stories as superstition, while promising to bring a bright new future to the dying town.

Wednesday, October 2, 2013

DID YOU MISS 12 ESSENTIAL QUESTIONS IN JULY?

IT'S BACK!


12 ESSENTIAL QUESTIONS TO ASK THAT TURN NEW IDEAS INTO STORIES


NEXT COURSE: SATURDAY NOVEMBER 2

Connie Flynn and Bootcamp for Novelists Introduce Bootcamp Classrooms
 
The Bootcamps formerly called Face-to-Face have been renamed Bootcamp Classroom since it's easier to say and it means the same thing. I'm curious about how you like the new logo. It's a little more girly and yet still has a whiff of testosterone, not to mention the blackboard that reminds us this is a learning experience.

The first renewed Bootcamp was well received by twenty-one authors at various stages of their careers. Watch for the testimonial page that will come up soon on the Bootcamp website ( http://www.bootcampfornovelists.com ). The 12 Essential Questions Classroom is designed for all writers from beginners to those who are seasoned and multi-published.  It's purpose is to help you pull together the story you want to write full enough that you will know WHAT to write when you leave the Classroom and head home to finally put it down on paper.

HERE ARE THE DETAILS:

WHAT: Twelve Essential Questions to Ask to Turn New Ideas Into Stories. An all-day fiction writer's workshop that begins with your idea and guides you through your story to the end using a series of questions that when fully
answered provide the basic structure on which to write your novel.

WHEN: November 2, 2013 TIME: 10:00am - 5:00pm

WHO: Taught by multi-published author and Bootcamp founder, Connie Flynn.

FOR: Anyone who wants to write a novel, from first timers to writers to multi-published authors who are starting their tenth or eleventh or one hundredth book.

WHERE: Vision Quest Bookstore 2225 N Scottsdale Rd, Scottsdale, AZ 85257 Cross streets: Scottsdale Road and Oak (SE side)

WHY: You've always wanted to write a novel and don't know where to start. You have a blockbuster idea that you can't quite pull together. You've written several books that you haven't been able to sell. Connie Flynn can help. Whether you've never written a word or are a multi-published author working on your trillionth novel, this workshop will fill the bill because the material and exercises are tailored to apply to the individual writer's needs. They focus on YOUR story content, YOUR story flow, and as YOU answer each question you'll find the parts that fit the unique circumstances of the novel YOU want to write.

CONTACT:  Connie at bootcamp4novelists@cox.net

FOR MORE INFORMATION
AND TO REGISTER:  
http://www.bootcampfornovelists.com

 REGISTRATION FEES:
Until October 6    $69 Save $26

After October 6   $79  Save $16

After October 20 or at the Door  $85

 If you are coming from out of town and need hotel recommendations email Connie at Bootcamp4Novelists@cox.net for information


Tuesday, October 1, 2013

Writing Great Dialogue in the 21st Century

by Connie Flynn      
At the turn of the twentieth century, the few books that dealt with fiction writing advised writers to use, oh, thirty percent dialogue and seventy percent narrative.  By the mid twentieth century it was a forty/sixty split and by the end it was a minimum of fifty/fifty.

So what about our new shiny century?  What is the currently advised ratio of dialogue and narrative?  I’m not certain, actually, but my best guess is that the attitude surrounding dialogue these days is excess is not nearly enough. 

I’m kidding, but only sort of, because the ratio of dialogue to narrative has increased.  At a minimum it’s  sliding to the other side.  The average book now is at least fifty/fifty, with some moving to forty/sixty.  Part of the reason for this increase is the popularity of deep third person point of view, which often makes it difficult to write compelling narrative without making your character look obsessive.

Those who hold back from writing dialogue tell me they don’t know how to make characters sound like two real  people talking.  Well, it isn’t all that complicated.  What is complicated is how to make it interesting, how to make it move the story.  And it’s important to master the skill.  Nothing endears readers to a story more than dialogue that sounds natural while at the same time relating what the story is about. 

DIALOGUE, THE PARADOX

What makes good dialogue hard to produce is that it must read like real people talk and also not read like real people talk. Good dialogue simply creates the illusion of being natural while performing the function of telling your story.  It often takes years to develop an ear that translates to good writing. Here are a few tips on how to get a head start and what to avoid and on writing like real people talk.

AVOID BAD DIALOGUE
Avoid formal language or strictly adhere to the rules of grammar.  Think about it. Nobody talks that way.

Use contractions. Exceptions might be made if English is the speaker’s second language, but in normal conversation people mostly run their words together as in “we’re agonna go to the concert ta'nite’” Okay, so you’d never say that, and you certainly wouldn't make your characters do it, but I wanted to get your attention.

Be sure your characters don’t call each other by name all the time.  For some reason even experienced authors who know better do this frequently. Maybe it helps us keep track of who's speaking but real people seldom call each other by name – usually only to get the other person’s attention or when they’re angry. Remember your mother when you’d done something wrong, well there you go.  Most of the time she called you by a sibling’s name, right? 

TO WRITE GOOD DIALOGUE
Keep it short.  Most of us speak in incomplete sentences to get our ideas across and there’s a back and forth thing going on.  However, we do know people who open their mouth and go on and on and on . . . and (yawn) on.  You might even have one of them in your book. This is where you present an illusion rather than the real thing.  Give that gabby character a few run-on sentences, have the other character try to get a word in edgewise, then have the point of view character think about how this character hogs the conversation. That’s pretty much all it takes. When the first character shows up again, provide the reader with a light reminder, maybe give that character an extra line or two more than the others in the scene.  Next thing you know when that character comes on scene, readers will already know they’re tiresome gabbers.  We all know people like that and it will make them sympathize with your focal character.

Have characters give indirect answers. Dialogue that is too direct is called on-the-nose and tends to be predictable and therefore boring. Character one asks character two if they are attending a meeting that night. The obvious answer is yes or no, with perhaps an excuse. To make the dialogue indirect, have character two say something that leaves the question partly unanswered. For instance, “What time is it?” or “Where’s it at?” Or even, farther afield, “Is Becky going?” Which actually isn’t so far afield because we’ve all done something like that, and that’s why this techniques makes dialogue real.   

Try to provide two to three clever lines per scene –- cliches turned on their heels are good, Or   an unexpected insight. Or a reply that’s so far from what’s expected that the reader is jarred or amused.  It doesn’t have to be funny, although it can be, but it does have to be unexpected and off-the nose. The reason I suggest only two or three lines is this: If all the dialogue is clever, none of it is.  Save these lines for important moments in your scene, which the lines will make memorable. And give them to your protagonist, not the spunky sidekick.

In the meantime, if you want your dialogue to improve start listening closely to what people say and try to figure out what they actually mean.  It’s a fun way to spend time at the party and all those people you talk to will sing praise about how well you listen. Odd, I know, but then again, in today’s world, a good listener is a rare thing.
 

Buy Now
A Scottish paradise lost in time is invaded by 21st century thugs. During a robbery gone wrong, Luke carries his wounded cousin through a window in time, killers hot on their heels. Caryn rules this land and knows Luke has a duty because he's the legendary Dragon Slayer. Her duty is to convince him.

Connie Flynn, bestselling, award-winning published author of ten novels and three short stories in several genres — paranormal romance, romantic comedy, action-adventure and contemporary fantasy/sci-fi. She also teaches fiction writing. She lives in Arizona in the Valley of the Sun in a townhouse located on the edge of a lush green park..

               

Wednesday, July 17, 2013

The 'Don't Miss It" Desert Sleuths WriteNow Conference Aug. 16-17



MEDIA CONTACT:
Roni Olson, Desert Sleuths Conference Chair:
602-740-9936, ronisays@gmail.com
Deb Ledford, Desert Sleuths president:
480-951-8702, djledford@cox.net
Polish, Publish, Promote
Writing conference open for all genres

Hear from the national president of Sisters in Crime (SinC) as well as a New York Times bestselling author and more at “Polish, Publish, Promote,” the annual WriteNow 2013 Writers Conference Aug. 16-17, 2013 at Millennium Resort, 7401 N. Scottsdale Rd., Scottsdale, AZ.
It’s a day-long writing workshop for those writing in any genre, preceded by an evening reception, and sponsored by the Desert Sleuths Chapter of SinC, an international organization supporting the professional development and advancement of women writing crime fiction.
SinC president and award-winning author Hank Phillippi Ryan is among the conference speakers. Her latest mystery, “The Other Woman,” is the Agatha Award nominee, winner of the Mary Higgins Clark Award and was selected as a Best Book of 2012 by Suspense Magazine. An investigative and consumer reporter for Boston’s WHDH-TV, Phillippi Ryan has also won 28 Emmy Awards and 12 Edward R. Murrow Awards for her television work. www.hankphillippiryan.com/
In addition, Los Angeles resident Gregg Hurwitz will lead a writing session. The New York Times bestselling author of 12 thrillers, including his most recent “The Survivor,” Hurwitz’s novels have been shortlisted for numerous literary awards, graced top ten lists, and have been translated into 22 languages. He has also written comics for Marvel, (Wolverine, Punisher) and DC (Batman, Penguin) and produced and written screenplays for film and television. www.gregghurwitz.net 
Another conference presenter is Liz Fichera, who writes stories inspired by teenagers “who do extraordinary things.” Most of her stories are set in the American Southwest, and as one who relocated to Phoenix from Chicago, she finds the desert to be “an intriguing and mythic place.” Fichera has published two previous novels, and “Hooked” is her debut Young Adult novel from HarlequinTEEN. www.lizfichera.com/
Rounding out the panel of speakers are Kris Tualla, an award-winning and internationally published author of historical romance and suspense, with “The Hansen Series” and its spin-off, “The Discreet Gentleman Series,” at www.kristualla.com  Also, Connie Flynn, bestselling award-winning author of 10 published novels who teaches fiction writing at Mesa Community College. Writing paranormal romance, romantic comedy, action-adventure, contemporary fantasy and mystery/suspense she has been reissuing her legacy books in the Amazon Kindle store and is releasing a new romantic suspense, "Know When to Run," concurrent with the Write Now! Conference. www.connieflynn.com
Conference organizer Roni Olson announces that Jessica Trimble, publisher at Poisoned Pen Press, will be accepting a limited number of 15-minute pitches from writers for $15 on Aug. 17.
To cap things off, the Sisters in Crime Desert Sleuths Chapter anthology, “SoWest: Crime Time,” will be unveiled and on sale at the conference. This latest anthology contains 20 original short stories by author members of the Desert Sleuths.
Conference fees, which includes continental breakfast, box lunch and afternoon snack, are $95 for members; and for nonmembers, $115.
To reserve an appointment to pitch to Trimble, contact Desert Sleuths by email at desertsleuths@gmail.com.
Conference checks, payable to SinC Desert Sleuths Chapter, may be sent to P.O. Box 9352, Phoenix, AZ 85068.
To register online, visit www.DesertSleuths.com and click on WriteNow conference.

Tuesday, July 2, 2013

The 3 Aspects of Point of View

Point of View for Puzzled Writers
by Connie Flynn

Some writers come into the business with an intuitive ability to manage their character's point of view. Never once do they have their characters describe  something behind them when they've never seen it before and thereby giving new meaning to the saying, 'she had eyes in the back of her head.'  But other writers struggle with the concept and frequently change heads in the middle of a scene or have one character read another's mind without any clue of this hidden psychic ability. So there are rules for writing point of view, but beyond that there are multiple parts of point – three of them to be exact. 

RULES – USE THEM OR LOSE THEM
.
Rules are subject to change. Writing techniques and style expectations change with the times, just like clothing and furniture and hot colors. There are some fundamentals, though, in every field. While creative fields are more fluid than many others, some expectations remain. Among them are the basics of managing story point of view, which will seem to consist of dozens of rules but is actually less complex than that. We're about to meet them. 

Three rules for rules:
1.    Never break a writing role until you understand and master it.
2.    Never blindly follow a rule that doesn't make sense to you.
3.    When you know the rules, break them when it serves your story, but do not rush to judgement.

WHAT IS POINT OF VIEW?

The first rule is that while a story can feature several point of view characters, one of them must have more influence over the storyline than the others. There are exceptions to the rule (as always) but it's best to follow it when you're starting out. Once you've decided the who, start asking question like these:
1.    Who is telling the story or scene?
2.    Where are/will they be standing physically?
3.    What are their pre-judgments?
4.    What is their goal?
5.    What do they want from it (motivation)?
6.    What do they value most?
7.    What are their concerns and priorities
8.    What do they always do under stress?
9.    What would they never do, no matter what?

When you get to the harder questions — pre-judgments, values, reaction to stress, etc., don't makes your character until a little angel. Examine they're dark side because this is where character growth comes from. You can also invent your own questions. You can never know too much about the soul of your character.  Just don’t dump it into your story all at once, just use it to predict what your character will do next.

POV IS A WRITER'S MOST IMPORTANT DECISION
1.    Every book has a dominant point of view and this person is called a focal character.  The story revolves around them and the better you know who this character is the better your book will be.

Point of view relies on the specific aspects. Anything else is simply a variation of one of these aspects.

ASPECT 1: CHARACTER PERSPECTIVE – Who Tells the Story?
In this context, the word narrative refers to the voice that is telling the story, rather than to the specific kind of writing that lacks dialogue.

1.   First person narrative (dominant pronoun is “I”) – all action is limited to what the narrator knows.
2.   Second person narrative (dominant pronoun is “you') – seldom used except in instruction booklets or experimental literary fiction.
3.   Third person narrative (dominant pronoun(s) “he/she”) – writer moves from character to to character and often gives multiple points of view.  Only one character has the dominant voice in any scene.
4.    Omniscient (dominant pronoun(s) “he/she”) — also considered third person, but the narrator moves fluidly through points of view at will.

ASPECT 2: CHARACTER KNOWLEDGE — What Can They Tell?

The choices are these:

        Limited means readers know only what the character knows.

1.    First person, always limited. Character can only know what they directly experience or are told, and what they told might be unreliable.
2.    Single point of view, limited.  The protagonist is the narrator and readers know only what the character knows. For that reason, I usually advise students to avoid this POV in favor of first person.
 3.  Multiple point of view, limited. Several points of view are used, but just one per scene (usually). This is currently the most popular choice.
4.  Omniscient, unlimited.  Third person viewpoint and in its extreme form the story is told as though the narrator has godlike qualities and is observing from above, dipping in and out of characters heads and even offering group perspectives.  It's the most versatile of the viewpoints, but can also be the most undisciplined with the writer somehow becoming the focal character.

ASPECT 3: DISTANCE AND DEPTH— Close, Distant, Shallow or Deep.
Also known as subjective and objective, it refers to how deeply we penetrate a character's psyche, thereby pulling reader in until they become the character, always a good thing.

It's often believed that first person can only be subjective and that third person is easier to write from the objective distance. That isn't the case.

1.    Distant or Shallow aka objective. The writer narrates from outside the story. Character emotions are often described as if from the outside, not necessarily  filtered through the characters.
2.    Deep aka subjective. The writer narrates and filters reactions through the character. Narration reads as though the character was speaking it or giving mental commentary.     
3.    The sliding scale.
    a)  First person can be objective or subjective. It's the degree of emotional and motivational intimacy that defines the voice.
    b) Third person can have single or multiple points of view. Individual characters can move from completely objective to highly subjective inside the same story.
    c) Writing that becomes completely objective becomes a variation of omniscient. This is called cinematic, where the story is written with the same objectivity as a film or play script and requires the considerable skill in 'showing not telling' to carry off.

NONE OF THIS REFERS TO THE WRITER'S VOICE
In current fiction, writers appear to subordinate their voice to their characters' voices and that is partly true. However, each writer does have a voice that crops up book after book. Generally it can be found in theme and subject matter, in choices of character types, even in the way you handle punctuation, paragraphing and chapter breaks. Every story choice you make reveals your unique style. 

On the other hand, character voice is simply that, the way the character speaks. It needs to be individual, and the more flexibly you, the writer, can switch voices, the more powerfully you will write. And that ability itself is part of a writer's voice. Ultimately, voice is something that develops over time and shows up as a writer's mastery of the art of making fiction gets stronger.
2008/2010 Constance K. Flynn

Website, http://connieflynn.com
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About the Author:
Connie Flynn, bestselling, award-winning author of ten published novels and three published short stories, also teaches fiction writing at Mesa Community College. She has been reissuing her legacy books in the Amazon Kindle store and her online offerings are growing.  Busy polishing a recently completed new novel scheduled for mid-summer publication, she also had another new work in progress. She writes in several genres — paranormal romance, romantic comedy, action-adventure and contemporary fantasy. She also writes mystery and suspense as K.C. Flynn. Look for several new releases from Connie/K.C. in 2013.

Wednesday, June 12, 2013

Twelve Essential Questions That Turn New Ideas Into Finished Novels


Connie Flynn and Bootcamp for Novelists 
are back with a Face-to-Face Bootcamp

On the Spot Feedback         
Student Interaction         
Door Prizes — books, writing tools, $25 VISA card         

WHAT: Twelve Essential Questions That Turn New Ideas Into Finished Novels. An all-day fiction writer's workshop that begins with your idea and guides you through your story to the end using a series of questions that when fully answered provide the basic structure on which to write your novel. This Bootcamp is as totally suitable for the first-time never-finished-a-book writer as it is for the multi-published novelist.

WHEN: July 27, 2013

TIME: 10:00am - 6:00pm

WHO: Taught by multi-published author and Bootcamp founder, Connie Flynn. 

FOR: Anyone who wants to write a novel, from first timers to writers who are working on their tenth or eleventh or hundredth book.

WHERE: Vision Quest Bookstore 2225 N Scottsdale Rd, Scottsdale, AZ 85257 Cross streets: Scottsdale Road and Oak (SE side)

WHY: You've always wanted to write a novel and don't know where to start. You have a blockbuster idea that you can't quite pull together. You've written several books that you haven't been able to sell. Connie Flynn can help. Whether you've never written a word or are a multi-published author working on your kajillionth novel, this workshop will fill the bill because the material and exercises are tailored to apply to the individual writer's needs. They focus on YOUR story content, YOUR story flow, and as YOU answer each question you'll find the the unique circumstances of the novel YOU want to write.

FOR MORE INFORMATION:  Email Connie at bootcamp4novelists@cox.net

TO REGISTER: Go to BootcampforNovelists.com
REGISTRATION FEES:
  • By June 22 — $76
  • After June 23 — $85
  • After July 20 & at the Door — $95 

Tuesday, May 7, 2013

Is There Gold in Them There Hills Part IV


This is the last in a series of four posts about how to succeed in independent publishing on Kindle. 

So, have I determined if there really is gold in the Kindle store world? Yes, I believe it's still there, but  a lot like the San Francisco gold rush days, it's not laying on the ground anymore waiting for people to scoop it up. The indie publishing world is now bigger than Kindle. The only reason it had ever shrunk, though, was because of the KDP lure that tied authors to publishing exclusively with Amazon.

Personally I don't believe authors can afford to put all their eggs in one basket, no matter how much gold may still be down that glittering mine. There are other venues for selling your books, and the question now becomes, can you be a successful independently published author?

I believe you can. But it's no longer a matter of just throwing together a book, slapping it up on Amazon and waiting for the checks to come in. Fact is, I'm not sure it was that easy anyway. The famous moneymaking writers who were spotlighted for having earned mouth-watering returns actually worked their butts off.
Keep the faith It's out there.

I actually think those of us coming behind will find it easier to earn a substantially adequate income because the pioneers have shown us what works and what doesn't.

What works is what has always worked in book selling . You have to put it out there, you have to tell people about it, you have to ask people to tell people about it, you have to ask them to buy. And most important, and so often said it sounds clichéd, you must write good books and lots of them.

What doesn't work is trying to game the system, tweaking numbers, getting bogus reviews, putting shoddy writing up to increase the number of titles for sale.

Right now, I'm becoming clearer every that all of this is about the writing. No matter the angle I look from, I can see that it's the writing that enriches me. Coming up with a new idea, tweaking it so it becomes a story that works, writing it page by page, meanwhile staying in touch with present and potential readers through the various social media. Those are the activities that make me happy and energized.

That's why I'm moving most of my books back to Barnes and Nobel, Smashwords, I-Tunes, Sony stores and the various library outlets out there. I may even sell them right off my own website. I'm in it for the long haul. I'm not here to get rich. I'm here to generate an income that frees me to have and do the things I need to maintain the peace of mind to write my books. If you're reading this, it's my guess you understand how outside distractions make it very hard to write the good book you need to succeed.

If you stayed with me this long, I'm going to give you a few more things that you need to be successfully indie published. We finished off last month with me extolling the virtues of Twitter. Hopefully, you've already signed up for the program and installed HootSuite to help you manage it. Be sure to read at least some of the tutorials. They're fairly good and it will speed up your progress with both Twitter and HootSuite. I did neglect to mention bit.ly (http://bitly.com/) This little program condenses your web addresses so they don't take up so many characters in a tweet. HootSuite also has that function, but bit.ly keeps track of how many clicks you get on their urls and that's very useful for keeping track of your promotions.

This is the time to bring up the remaining heavy duty marketing tools: the newsletter, the website, the blog and your Amazon author page. These are must haves if you hope to succeed.

You must have a website or a blog to have a central place to communicate to your readers. The advantages of websites are that the pages are static. You can put up content that doesn't change much and it won't move on with time. This is the place for your long bio or letter to your readers, your books and covers, the buy links. Put buttons for your social media links on every page of your website and remember to also link to your blog.

Although it requires a bit more diligence about updating, I also recommend that you list your appearances. You can put them on your Amazon page and announce them on your Facebook profile, but your website is where people go when they have a purpose. They've heard of you and want to check out your books or read your biographies or find out what social networks you're hooked into.

Now it's time to establish your 'brand.'  If you haven't done any of this already or even written a book, that's perfect. Because now is where you'll establish the tone and attitude and colors that will eventually announce you even before you've mentioned your name. Okay, that may be a little optimistic, but the idea is that you want your website, blog and newsletter to follow the same color scheme. Promo copy should communicate the same message from media to media. The headers and backgrounds of your Twitter and Facebook pages should also harmonize.

This may be enough to have you running from indie publishing altogether, or conversely, it may be a very exciting challenge.  If you're still with me, here are some links to help you get started.

Websites:  http://www.networksolutions.com/web-hosting/index.jsp
        http://www.godaddy.com/hosting/web-hosting.aspx?isc=hos1gb

I use Go-Daddy but lots of my friends use Network Solutions. These are some of the places to get your domain name and to where you'll upload your website onto the internet.  You will still need to design and compose the website or have someone else do it.  There are free programs that will help you put together your own site if you don't already have web designing experience. This is the most technically demanding of the marketing tools you need and these programs help guide you through. Here's an example that had a good rating but I can't personally vouch for it..  Build a Website   http://download.cnet.com/BlueVoda-Website-Builder/3000-10247_4-10380081.html

Blogs: 
These two companies have free blogging sites.
Set up Blogger: https://www.blogger.com/tour_start.g
Set up Wordpress: http://wordpress.org/
I use Blogger. I have tried Wordpress, but found it way too complex and it doesn't give you the freedom of color schemes and fonts the way Blogger does.
Check them both out because the Blogger/Wordpress debate is kind of like the P.C./Apple thing.  Here's a comparison chart you may find useful (or maybe not): http://pulsed.blogspot.com/2007/07/blogger-wordpress-chart.html

Mailing List: http://mailchimp.com/features
As said, you'll also need a mailing list. Here's a link to a very useful site that is free as long as you don't want their more advanced features. The mailing list is your primary tool for keeping in touch with readers. Currently, I'm still using the free program and with a list of about 650 subscribers it will probably serve me for quite a while. But I'm aiming to add 5000 new subscribers over the next couple years, which means I'll have to provide a lot more useful content than I do now, so I'm working on that and at that level I'll probably need a much more sophisticated mailing list program.


If you've enjoyed these blogs or have missed some, here are the links to the first three posts:

Part I http://muchcheaperthantherapy.blogspot.com/2013/02/is-there-gold-in-them-there-hills.html
Part II http://muchcheaperthantherapy.blogspot.com/2013/03/is-there-gold-in-them-there-hills.html
Part III http://muchcheaperthantherapy.blogspot.com/2013/04/is-there-gold-in-them-there-hills-part.html

Click Here to Buy
A Scottish paradise lost in time is invaded by 21st century thugs. It was a robbery gone terribly wrong, ending in Luke Slade and his wounded cousin being swept through a window in time, with  killers chasing in behind them, trapping them all in 1672.

Caryn McLaughlin rules Lochlorraine and when Luke appears she knows her worries will soon be over. He is Luke the Dragon Slayer, none other, and his duty is clear. Her duty is to convince him.

Connie Flynn, bestselling, award-winning author of ten published novels and three published short stories, also teaches fiction writing at Mesa Community College. She has been reissuing her legacy books in the Amazon Kindle store and her online bookstore is growing.  Busy polishing a recently completed new novel scheduled for mid-summer publication, she also had another new work in progress. She writes in several genres — paranormal romance, romantic comedy, action-adventure and contemporary fantasy. She also writes mystery and suspense as K.C. Flynn. Look for several new releases from Connie/K.C. in 2013.

Friday, April 12, 2013

SPOTLIGHTING: Holly Newman Regency Author

from Connie Flynn    
   
Today's spotlight is shining on my long-time friend, Regency author Holly Newman. She is among the best of the best, managing to stay true to Regency conventions while building complex and believable suspense plots that lift the books to a higher level. Like most authors these days, Holly has survived a tumultuous ride. Then she made some changes and life smoothed out. This is what she has to say about that. 


I thrive on the yin and yang of creativity and analytics — of art and science.

I am the author of seven historical novels (written under the pen name Holly Newman), I am a technical writer, I am a fused glass artist, I am a certified professional project manager in the Information Technology industry.

If I dwell too long in either creativity or analytics, in art or science, I become out of balance and irritable. I have found many people need this balance in their lives and I counsel people on achieving balance and what I call Unleashing Bliss.

I live in Phoenix Arizona with my partner, Ken, and six cats. My two daughters are settled and married and I’m a proud grandma of four.

 These and many more of Holly's books are available at AMAZON
 
Click Here to Buy

HONOR'S PLAYERS
A lively match between a shrewish beauty and the suitor set to tame her.
           
Every bachelor in London sought the attentions of the beautiful Helene Monweithe. Unfortunately, pursuit was futile. Helene's father had decreed that she could not wed before her older sister, Elizabeth, wed. Considering Elizabeth's reputation as The Shrew of London, this was cause for alarm.

Then Justin, Viscount St. Ryne, asked for Elizabeth's hand in marriage. If her family wept for joy, Elizabeth shrieked in fury. But in her heart of hearts she acknowledged he resembled the hero of her closely guarded dreams.

Poor Elizabeth hadn't the faintest notion that St. Ryne had a curious plan designed to tame her, a plan that would tangle their hearts and would, in the face of unexpected interlopers and domestic scandal, teach both arrogant husband and quick-tempered wife a thing or two about love and marriage!

Click Here to Buy

THE HEART'S COMPANION
They say "Love conquers all"
But with loves destroyed and lives damaged by vicious lies,
Will the Devil's Disciple and The Ice Witch share a love strong enough to conquer rumor's power?


Miss Jane Grantley, dubbed the "Ice Witch" for her cool green gaze that intimidated all but the most calculating of suitors, feared no man and scoffed at the many scheming designs on her virtue, swearing never to marry for any reason but love.

The Earl of Royce, the infamous "Devil's Disciple," was all that Jane loathed in a man. He was a rake, responsible for the ruin of innocent ladies -- if the countless rumors about him were to be believed. Jane planned to undo the rogue once and for all, but it appeared that Royce had plans of his own. The Devil's Disciple refused to live up to his name, instead playing the perfect gentleman until even the Ice Witch found her reserve melting.


THE WAYLAID HEART
Click Here to Buy 

A husband murdered
A widow's ruse to find the killer
A nobleman's curiosity
Lead to a white slavery ring destroyed and a love found


A loving heart cannot be deceived

Although her marriage to Mr. Waddley had been passionless, the beautiful widow Cecilia vowed to unmask the man responsible for her husband's untimely demise. Suspecting that the culprit traveled in society circles, Cecilia diverted attention from her eavesdropping and prying with her constant and tiresome complaints of illness.

Sir James Branstoke saw through her feigned fragility. Intrigued by her odd behavior, he believed she was hiding a secret. At the same time, Cecilia sensed deeper emotions beneath Sir Branstoke's witty flirtations. Indeed, the only time Cecilia felt genuinely out-of-sorts was when she felt the gaze of his brown eyes ... and her pretended palpitations suddenly became all too real when Cecilia discovered a blissful and surprising love she had never known before ...



Tuesday, April 2, 2013

Is There Gold in Them There Hills? Part III

This is the third in a series of four to five posts about how to 
succeed in independent publishing on Kindle.  

If you have an interest in reading the previous posts, these are the links:


SEE AND BE SEEN by Connie Flynn

I've been a lot more gabby with my blogging lately and I had to reread part II to see where I left off.  With Twitter, of course. It's no secret that I love this media or that I fully understand why many people don't. After all, 140 characters and you have to count the spaces between words, too? Whose crazy dea was that?

If you agree with that question, you've told me that you're living the Twitter-land fantasy.

So what is the Twitter-land fantasy?

That Twitter is all about building relationships. 

Am I saying that it isn't? Oh, yes, I am. Think about it. Do you really care if a stranger is having a relaxing moment on his beautiful patio or that a woman just found a cool place to get a manicure or that a--  Nope you really don't, do you? If you want relationships you go to Facebook.

Twitter is a marketplace. It's about seeing and being seen, another reason why that photo is so important. Because people like to do business with people they like, but on Twitter they don't want to be your best friend. They just want to know you've been around a while and will probably stick around. They do this by seeing your tweets.

It's also about letting people know what you have to offer, so don't be shy. Just be willing to retweet and engage in conversations because that helps the other tweeter be seen. Trust me, they'll do the same for you.  Don't let your tweets devolve into personal matters. Some people do use Twitter entirely for personal reasons, but most of them won't stick around because they, unlike you, are not there to do business.

So what's this content tweet people are talking about? It's a tweet that gives back without asking for something in return. Content tweets are hard, which is why so many of them are a bit inane. Quotes are good, but if you can come up with something original that's even better. Personally, I like to promote other authors and author venues -- conferences, appearances, things like that. I occasionally talk about my tai chi classes, mostly because the positions have such intriguing names. I could never come up with White Swan Spreads its Wings on my own.

Sorry, got off track. But here's the deal about content tweets. There's some arbitrary rule about 4 content tweets for every sales pitch. Oh, come on! Is anyone paying attention to how the twitter stream works? It's a chronological listing of every tweet put out that somehow includes your address. Unfortunately, you have little control over what goes in that stream, other than that it will only contain tweets from people you follow and follow you.

So the deal is that if you tweet someone and they retweet, their tweet goes to their followers and many of them will be people who aren't following you.

One to two content tweets a day are enough. Then do at least ten marketing tweets. (Yes, I know, I know, that's totally against everything you've read but most of that advice came from Twitter-land).  And unless you're a tweet-a-holic, it's also a pain to have to go in ten times a day to tweet. That's why you need HootSuite. Its basic service is free and while I've been toying with subscribing to its upgraded service, so far basic HootSuite has filled my needs. The best thing it does is let you schedule your tweets. Launching a book? Schedule a tweet every hour for 24 hours (remember Twitter never sleeps) and see what happens.

(See my post on Imagination Gone Wild about my experiment with heavy tweeting.)

My point, however, is that most likely the same people will not see each tweet unless, of course, it is retweeted within your twitter stream. This is a good thing. An endorsement that comes from others. Respond in kind even if you haven't read their book. Remember, it's about seeing and being seen.

Are there behaviors that turn people off on Twitter?  Definitely, yes. The first is any attempt to sell when you respond to a mention or retweet and responding is something you should definitely always do. But never ask someone to buy your book or product. They know you're selling something, so let the tweet be a billboard and just include a link to buy. Mind your manners when you send out those 140 characters.

The other turn-off is ranting about a favorite pet peeve or even saying anything negative unless you're in a private list where everyone is doing the same, and probably not even then. Remember what happened to the politician who tweeted his photo while wearing only his whitey tighties.

Okay, so now you know the purpose and the perils, it's time to get your followers. Your first goal should be to have 1000 followers. It took me nearly a year and a half to do that because I didn't realize two things. Lots of people drop you if you don't follow back. And Twitter makes it  easy to follow. Just click on "followers," found in the upper left-hand box on the "Me" tab and go down and follow everyone who is listed as following you.

This is what works to build your followers.
  1. Follow everyone that Twitter recommends, which they continually do.
  2. At first, when people follow you reply with a thank you -- later you won't have time  -- and retweet them if appropriate because these are the people that will help you be seen.
  3. Do not weed out your list at this time. 
  4. Follow everyone who follows you.  
  5. Search out who follows your followers and follow some of them.
  6. Do this at least once a week. 
  7. When someone mentions you in their tweet, reply to thank them.*
*Mentions show up when you click the @connect tab at the top of your Twitter page. 
When I started doing these tasks, I increased my follow numbers by 300 in just a few weeks and hit and exceeded a thousand shortly thereafter. I fully expect to exceed two thousand by the end of the year. More followers mean more peeps to see and see you and a wider audience for your books or products.

For authors, proper use of Twitter has become essential.  Amazon has been clamping down on the prevalence of free books offers and recently tightened the rules of payment for Amazon Associates who run websites promoting free books.This may or may not be bad, but the major pitfall is that it will make it harder to drive the traffic on Amazon to push up your rank. It's becoming more up to us to drive that traffic. See my May post for my take on how this is going to shake out for indie authors.

In the meantime, explore Twitter. I only know a tenth of the ways to use this service so run searches to learn more. 


I
Website, http://connieflynn.com
Subscribe to Newsletter: http://eepurl.com/qOHbT
Blog: http://imaginationgonewild322.blogspot.com/
Facebook Author Page: https://www.facebook.com/ConnieFlynnAuthor
Twitter: https://twitter.com/ConnieFlynn
Email: connieflynn@yahoo.com


I have been writing fiction for so long I can barely remember when I didn't. Sometimes people ask where I get my ideas and I can't comment too much on "ideas" either, since they come one at a time from different sources. THE DRAGON HOUR came from a suggestion that I set my story in Scotland, which to my mind was an overused setting. I wanted to spice things up so I threw in a dragon because my writing motto is never be boring. .I'm hoping I succeeded . THE DRAGON HOUR will be available on Kindle on April 10th.

A Scottish paradise lost in time is invaded by 21st century thugs